Vogue Italia, published by Conde Nast, said it’s September issue that goes on sale today has adopted 3D technology for its cover and some fashion shoots.
Vogue Italia is the “first fashion magazine” in 3D, showing “there is still plenty of room to make print publications more and more interesting,” Editor-in-Chief Franca Sozzani said in an e-mailed statement today. Bloomberg.net
The cover, featuring model Miranda Kerr, and the 22-page fashion spread using the new technology will be visible through 3D-vision glasses attached to the publication. Seen at TCH FB page.
Bright Space recruiting youth bloggers for new arts and social media project
Bright Space is launching a new and exciting social media project entitled Platform(www.projectplatform.org.uk) for 16-19 years olds living in Birmingham. Platform will be a blog featuring articles, reviews, events listings and much more, written by young people for young people and will represent a unique perspective on arts activity in Birmingham. Bright Space is now looking to recruit 15 young people who are interested in reporting, reviewing and attending the many cultural events in and around the city. This includes theatre, dance, exhibitions, launches and gigs. Deadline for applications is Monday 19th July 2010.
Successful applicants will receive a £200 bursary and the opportunity to attend a week long intensive summer school, which will highlight the many techniques and skills they will need to become fully fledged Platformbloggers. During the week they will take part in workshops led by industry experts including; journalists, photographers, bloggers and film-makers. Subjects covered will include:
Journalism, writing, reviewing and interview techniques
Podcasting with audio and video
Photo blogging and social media tools
Events management, promotion and marketing
The Platform bloggers will then organise a live launch of the website to their peers, parents, friends and mentors. The group will meet regularly throughout the project with continued access to and mentoring from industry professionals who will support them in creating content, researching articles and building their on-line readership.
The core group will improve skills in; ICT, literacy, independent learning and critical thinking. The project will also support those wishing to pursue a career within the creative and cultural industries.
The aspiration for Platform is to amplify young people as unique, dynamic, cultural commentators that successfully communicate, inspire and engage other young people, while at the same time propose significant debate about their cultural offer. It is also hoped that Platform will become a vehicle that cultural organisations, venues and promoters connect with to ensure their programming reflects the breadth and individuality of young people in Birmingham.
How to apply:
Applicants need to write a 200 word article on a creative passion that they have
Include their name, address, date of birth and contact details
Send the completed article with all the necessary contact details to: Bright Space, Studio 222 The Custard Factory, Gibb Street, Birmingham, B9 4AA
Bright Space (www.brightspace.org.uk) is committed to developing and encouraging activity that helps young people find creative progression routes in and beyond the arts. Bright Space works actively to encourage sustainable cross-sector partnerships that broaden the horizons and opportunities available to young people.
Here is a collection of alternative Christmas gifts available from creative folks in and around Birmingham. Firstly a Christmas type mix of records from me. Feel free to wang this mix on whilst wrapping your presents or mulling your pies… enjoy!
At the top of the page we have the infamous Spinwell Bobble Beanie – which had almost sold out from this Birmingham based cycle blog, before the delivery had even arrived. Thankfully some are still available and now in stock ready for Christmas, very reasonably priced at £15 a pop. You will look hot when you are cold.
Spinwell Projects No.1 will be the Spinwell Bobble Beanie. Limited to 30 pieces and available in two colour options – Red/Grey/White and Grey/Red/White ( unfortunately not the colour pictured, this is my special sample! ).
Current State is the work of Birmingham based designer and illustrator Jane Anderson. Current State do lovely bold prints and are often feature in Fused Magazine. You can purchase postcards and Eco bags from Studio 4 Gallery aka The Framers along with a whole bunch of other stylish prints, postcards, bags and stickers from other artists and designers. Picture of Current State’s Eco Bag below - online shop and information here.
Mouldy Loaf is an independent company and brand which stocks the best in men’s and women’s wares. We have created an innovative and alternative brand which provides a great change to mainstream, high street fashion.
I say amen to that! Mouldy Loaf also run We Create* in Oasis Market. To go peep their wares just head down to the Custard Factory or look online here.
From mouldy bread to tasty and mouldy (if you so please) cheese! I love cheese and I love this shop! Newly opened in Kings Heath with a tasty collection of cheese, deli goodies and chutneys.
Capeling and Co is a specialist cheese shop and delicatessen on York Road, Kings Heath. We sell a large range of artisan cheeses, charcuterie, olives, antipasti, chutneys, vinegars, oils and lots more!
You can find out more here and become a fan on facebook. Support your local independent cheese retailer!
Typography and lettering is an expressive part of Birmingham’s visual identity.Islamic calligraphy, neon signs, tags, mysterious handwritten signs in Mandarin stuck to dirty windows and the fallen glory of broken shop lettering – which now reads ‘Ma l ather s ores’. The aim of ‘Graphic DNA’ is to document these letterforms and to trace the changes to the city’s graphic DNA brought about by regeneration, recording the evolving lettering landscape before the opportunity is lost for ever.
Graphic DNA is a long term project which aims to delineate and profile the graphic character of Birmingham through photographing, gathering, curating, cataloguing and describing the letterforms found in the city’s urban and civic environment. The Project is led by Type with the able assistance of Alexander Barton, Hilary Lovell, Matt Murtagh, Veronika Pechova, Hannah Wood all students at the Birmingham Institue of Art & Desgn.
Why Birmingham?
Birmingham is in a state of metamorphosis, evolving from a city dominated by manufacturing to one led by the creative sector. Industrial Birmingham is being redeveloped and regenerated and a new city is emerging: letterforms that have been obscured for decades are being temporarily exposed before the developers move in, and new letterforms are being added daily. Further more, Birmingham is a hybrid city that for centuries has been home to immigrants from across the country and around the world. The history and evolution of Birmingham’s immigrant populations are relvealed in the letterforms on its streets and the marks left by the city’s multicultural society will be documented and curated by the project. The project is in part graphic rescue.
Why lettering?
Street lettering is an artistic amalgam of letterforms mixed with substrate, language, placement, and proportion. Letterforms are excellent vehicles for demonstrating how the environment, human judgement, necessity, and repetition can add visual music to the streets. This project will capture, catalogue and curate images of letterforms culled from Birmingham’s streets - both past and present – to show the city’s unique graphic character.
To read more about this project check here. If lettering and design is your bag then you may fancy a look at Helvetica a documentary film by Gary Hustwit.
Helvetica is a feature-length independent film about typography, graphic design and global visual culture. It looks at the proliferation of one typeface (which celebrated its 50th birthday in 2007) as part of a larger conversation about the way type affects our lives. The film is an exploration of urban spaces in major cities and the type that inhabits them, and a fluid discussion with renowned designers about their work, the creative process, and the choices and aesthetics behind their use of type.
