Best Believe ♥♥♥♥♥♥♥♥♥♥

This Sunday…”Ink will Spill”. This is the qualifier, for the background story read here.

Following on from my last post, we hear from Nicole Scribbel a visual artist from Wolverhampton who is contributing to the literary landscape of the city by leaving word play all over the streets of Birmingham. Her “Spontaneous Art Shows” are a type of mysterious street art that is deposited for passersby to glimpse, or take home and enjoy. In an exclusive interview with Best Believe she explains how her passion for words and lettering started at a young age.

During school I developed my own style of handwriting (quite possibly influenced by the music I was listening to, and the records I was buying at that time). It was a subconscious thing and looking back now, I realise it was my way of expressing myself.
Around the late eighties to mid nineties, I would spend time admiring the graffiti that was happening in my area and would often doodle out my own words three dimensionally in different styles. Heavily into music, I would also listen carefully to lyrics and scribble them down on record sleeve inners in order to try and decipher what the artist was trying to say.
Later down the line, after some formal training as a “Fine Artist”, the battle of not wanting to be moulded into a pretentious Art Twit with an A, and undoing a wee bit of confusion, I have reversed back ten to fifteen years, working with letters and words once more.

In my eyes, letters are line drawings, and in day-to-day life we use these alongside signs, shapes and symbols to communicate with one and another and they help give us guidance. And depending on who we are and where we are from, they may differ slightly.
My Slogans or “Word Art” are an attempt in some cases to communicate with people and make people think and re-asses their priorities in life but also a form of self-expression for myself. It’s where I am able to release my frustrations and celebrations.

Words are powerful, and by even reading a single word, it can trigger many thoughts and/or images in your mind.
I currently adapt well-known nursery rhymes into thought provoking statements, which perhaps reflect the more serious side to my personality. In contrast, I also make my own rhyming slang as a more humorous way of communicating my thoughts. For me personally my work acts as a kind of diary, as it documents certain moments in time.
And as Sister Corita Kent once said “I am not brave enough to not pay my income tax and risk going to jail. But I can say rather freely what I want to say with my art.” And this I can relate to.

Typography and lettering is an expressive part of Birmingham’s visual identity. Islamic calligraphy, neon signs, tags, mysterious handwritten signs in Mandarin stuck to dirty windows and the fallen glory of broken shop lettering – which now reads ‘Ma     l ather s ores’. The aim of ‘Graphic DNA’ is to document these letterforms and to trace the changes to the city’s graphic DNA brought about by regeneration, recording the evolving lettering landscape before the opportunity is lost for ever.

Graphic DNA is a long term project which aims to delineate and profile the graphic character of Birmingham through photographing, gathering, curating, cataloguing and describing the letterforms found in the city’s urban and civic environment. The Project is led by Type with the able assistance of Alexander Barton, Hilary Lovell, Matt Murtagh, Veronika Pechova, Hannah Wood all students at the Birmingham Institue of Art & Desgn.

Why Birmingham?

Birmingham is in a state of metamorphosis, evolving from a city dominated by manufacturing to one led by the creative sector. Industrial Birmingham is being redeveloped and regenerated and a new city is emerging: letterforms that have been obscured for decades are being temporarily exposed before the developers move in, and new letterforms are being added daily. Further more, Birmingham is a hybrid city that for centuries has been home to immigrants from across the country and around the world. The history and evolution of Birmingham’s immigrant populations are relvealed in the letterforms on its streets and the marks left by the city’s multicultural society will be documented and curated by the project. The project is in part graphic rescue.

Why lettering?

Street lettering is an artistic amalgam of letterforms mixed with substrate, language, placement, and proportion. Letterforms are excellent vehicles for demonstrating how the environment, human judgement, necessity, and repetition can add visual music to the streets. This project will capture, catalogue and curate images of letterforms culled from Birmingham’s streets -  both past and present – to show the city’s unique graphic character.

To read more about this project check here. If lettering and design is your bag then you may fancy a look at Helvetica a documentary film by Gary Hustwit.

Helvetica is a feature-length independent film about typography, graphic design and global visual culture. It looks at the proliferation of one typeface (which celebrated its 50th birthday in 2007) as part of a larger conversation about the way type affects our lives. The film is an exploration of urban spaces in major cities and the type that inhabits them, and a fluid discussion with renowned designers about their work, the creative process, and the choices and aesthetics behind their use of type.

Picture credit: Blacksmile from Spinwell.