Underneath Eastside’s arches you’ll find a whole host of organisations making and presenting film, music, visual arts, digital media, craft, literature, and photography – and some great pubs and cafes too. We Are Eastside is a guide to some of these hidden treasures.
We are Eastside is made up of;
7 INCH CINEMA – BIRMINGHAM JAZZ – CAPSULE – CRAFTSPACE – THE CUSTARD FACTORY – EASTSIDE PROJECTS – GRAND UNION – IKON EASTSIDE – PROJECT PIGEON (Photo featured above) – PUNCH – RHUBARB RHUBARB – THE EDGE – TINDAL STREET PRESS – THE LOMBARD METHOD – VIVID – VRU
A couple of exciting developments in the We are Eastside camp in Digbeth, Birmingham is the addition of a new photographic gallery space called Rhubarb East Gallery situated in the Rhubarb Building and a performance by Japanese artist Atsuhiro Ito.
Vivid and Capsule are combining forces to present Atsuhiro Ito. Atsuhiro uses a fluorescent light with pick up mics attached, and alters the voltage applied to tubes causing the lights to flicker. Microphones pick up electromagnetic noise perfectly synchronised with the flickering lights in a light/noise/electric eye festival at only a fiver it is well worth a look next week on Wednesday 10th March 2010, more information can be found here.
Typography and lettering is an expressive part of Birmingham’s visual identity. Islamic calligraphy, neon signs, tags, mysterious handwritten signs in Mandarin stuck to dirty windows and the fallen glory of broken shop lettering – which now reads ‘Ma l ather s ores’. The aim of ‘Graphic DNA’ is to document these letterforms and to trace the changes to the city’s graphic DNA brought about by regeneration, recording the evolving lettering landscape before the opportunity is lost for ever.
Graphic DNA is a long term project which aims to delineate and profile the graphic character of Birmingham through photographing, gathering, curating, cataloguing and describing the letterforms found in the city’s urban and civic environment. The Project is led by Type with the able assistance of Alexander Barton, Hilary Lovell, Matt Murtagh, Veronika Pechova, Hannah Wood all students at the Birmingham Institue of Art & Desgn.
Why Birmingham?
Birmingham is in a state of metamorphosis, evolving from a city dominated by manufacturing to one led by the creative sector. Industrial Birmingham is being redeveloped and regenerated and a new city is emerging: letterforms that have been obscured for decades are being temporarily exposed before the developers move in, and new letterforms are being added daily. Further more, Birmingham is a hybrid city that for centuries has been home to immigrants from across the country and around the world. The history and evolution of Birmingham’s immigrant populations are relvealed in the letterforms on its streets and the marks left by the city’s multicultural society will be documented and curated by the project. The project is in part graphic rescue.
Why lettering?
Street lettering is an artistic amalgam of letterforms mixed with substrate, language, placement, and proportion. Letterforms are excellent vehicles for demonstrating how the environment, human judgement, necessity, and repetition can add visual music to the streets. This project will capture, catalogue and curate images of letterforms culled from Birmingham’s streets - both past and present – to show the city’s unique graphic character.
To read more about this project check here. If lettering and design is your bag then you may fancy a look at Helvetica a documentary film by Gary Hustwit.
Helvetica is a feature-length independent film about typography, graphic design and global visual culture. It looks at the proliferation of one typeface (which celebrated its 50th birthday in 2007) as part of a larger conversation about the way type affects our lives. The film is an exploration of urban spaces in major cities and the type that inhabits them, and a fluid discussion with renowned designers about their work, the creative process, and the choices and aesthetics behind their use of type.
Picture credit: Blacksmile from Spinwell.
